| Combustible
(2008-2009) |
electroacoustic composition consisting of lots and lots of micro edits |
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| Squelch
(2005-06) |
electroacoustic composition mixing raw and processed field recordings; waveshaping is the
primary processing technique in this piece |
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| Cycle (2004) |
electroacoustic composition mixing orchestral instrument samples, synthesized and processed sounds |
mp3
(excerpt, 3.1 MB) |
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| Trio (2004) |
music for choreography by Deborah Slater Dance Theater, co-composed with Erling
Wold
| mp3
(full piece, 16.5 MB) |
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| Note from Patzcuaro
(2003) |
audio postcard based on computer-processed field recordings of Patzcuaro,
Mexico |
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| nomen plaid (2003) |
electroacoustic composition |
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| Things Frankie Heard
(2002) |
based on computer-generated sound and processed field recordings
of Desolation Wilderness, California |
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| J-Wake (2001) |
based on computer-generated sound and processed field recordings of
Californian and Mexican Pacific coastlines |
mp3 (excerpt, 6.1MB) |
realaudio (excerpt) |
| five haiku (2000) |
based on computer-generated sound and processed field recordings of
urban hikes in San Francisco, California |
mp3 (excerpt, 5.1MB) |
realaudio (excerpt) |
| Maroc (1998) |
audio postcard based on computer-processed field recordings of Fez,
Tanjer, Marrakesh, and Chefchaouen, Morocco |
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| In or Out (1997) |
based on computer-generated sound and live-processed sound of
Radish Festival, Oaxaca, Mexico and Christmas festival, San Miguel de Allenda,
Mexico |
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| Musk (1997) |
based on computer-generated sound and live-processed sound of souk
in Marrakesh, Morocco |
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| To My Son Parker, Asleep in
the Next Room (1996) |
setting of poem of same title by the late Bob Kaufman, computer-generated
sound and processed voice |
mp3 (excerpt, 7.3
MB) |
realaudio (excerpt) |
| Japanese Postcard (1995) |
audio postcard based on computer-processed field recordings of Tokyo,
Hamamatsu, and Kyoto |
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| Three Studies for Pedal Steel
(1995) |
based on heavily computer-processed recordings of pedal steel guitar |
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| Survival
of the Fit Enough: The Galapagos Project -- by Deborah Slater Dance Theater(2003) |
soundtrack for evening-length dance theater piece, chronicling the
author's shipwreck and survival in The Galapagos Islands. (electroacoustic
music and audio processing by T. Blum; instrumental music by Erling
Wold)
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